![]() Cuneo, the harpist Clelia Aldrovandi and the pianist and composer Luigi Perrachio, who in 1922 became the artistic director of the group. Among these were Ercole Giaccone, who in 1923 replaced Vico as first violin, the clarinettist L. All the players were eminent members of the orchestra of the Teatro Regio or teachers of the Liceo musicale. Like the Double quintet of Paris - which was its model - the ensemble was composed of a string and a wind quintet, with the occasional addition of a harp and piano. ![]() Its aim was to renew the stagnant post-war concert life of the town with a less usual repertoire of chamber music for mixed ensembles, also open to the modern European production. ![]() ![]() It was strongly encouraged by the music critic Andrea Della Corte and financially supported by some music lovers belonging to the well-off middle class of Turin. The «Doppio Quintetto di Torino» was founded at the end of 1920 by a group of musicians led by the violinist Maurizio Vico. ![]()
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